What does it mean to “Find God in All Things”? This class is an exploration into the complexity and depth of the religious imagination as modeled by St. Ignatius. The course proposes “covenant” as a historical thread that has followed Abrahamic religions throughout their histories as students are introduced to religious studies through the examples of Judaism, Christianity, and Islam. Students will apply a framework of belief, ritual, morality, and community in learning about how religions gain historical traction and relevance, and how culture and moral vision endure in many covenantal contexts today. Animated by the Catholic belief in the sacramentality of all creation, students will be challenged to reflect on the history, rituals, and symbols that charge their own lives with meaning. Special focus will be on forming students to do a faith that does justice, exploring questions of inclusion, conscience, culture and identity.
Religious Studies 103: Literature of Covenant
How do stories reveal to us who we are? How does our literature create our shared values and community? This course seeks to create a basic foundation of understanding the Hebrew Bible. In investigating the many types of literature within the Hebrew Bible, students will better understand the various ways to read texts and apply shared narratives to their own individual and communal experiences. As a lasting record of “covenant,” students will understand the Bible as constitutive for how different faith communities have come to understand themselves and their identities, including Judaism, Christianity, and Islam. Students will conclude the course examining the relational and sexual dimension of human experience, probing covenantal wisdom for guidance in discerning the healing and liberative nature of human relationship.
Religious Studies 475: Sports and Spirituality
Students in this semester-long course explore spirituality through the analogy of sports. Students will determine how human beings encounter the Holy in the midst of everyday life with emphasis on athletic experiences as an athlete and/or as a fan (of specific athletes, teams, and/or sporting events). Students will also examine the relationship between competitive, organized athletics and elements of communal religious practice and purpose. Included is a study of embedded meaning associated with the movement of the human body, an analysis of ritual practice, a survey of major events where sports and religious practice intersect, and a differentiation between religious practice and personal spirituality. Ultimately, students will come to know more deeply the ways in which one relates to the Holy or the Transcendent in the course of their own faith journey, and how personal faith contributes to communal practice and celebration of what is Holy and Transcendent.
Religious Studies 201: Christology
At a pivotal moment in the Gospel of Matthew, Jesus asks his disciples “Who do you say that I am?” The confusion that ensues among his followers is emblematic of the struggle that Christians and non-Christians alike have had throughout history to answer that very question. In this course, students will be challenged to offer their own unique contributions to the discourse on the identity of Jesus. They will grapple directly with the question Jesus posed to his disciples by developing responses based on multiple and intersecting paradigms: the personal, the historical, the theological, and the anthropological to name just a few. Effectively engaging with the course will lead to greater skills in the areas of critical thinking, cultural competency, and religious imagination, among others.
Physical Education 316: Foundations in Kinesiology 2
Foundations of Kinesiology is a course that introduces students to the field of Kinesiology and its overall relationship with exercise science, sports performance, and sports psychology. This UC/CSU approved College Prep Elective (“G”) course will be taught in two one-semester courses allowing maximum flexibility in scheduling. Students do not have to take Foundations of Kinesiology 1 to take Foundations of Kinesiology 2.
While each course will share common threads in training, nutrition, sports, psychology, and basic human anatomy, each course offers a slightly different approach to discovering the keys that improve performance. Both courses will involve some physical activity.
Foundations of Kinesiology 2 will concentrate on “why” the body moves by understanding the relationship between fitness principles of exercise and how to improve sports performance. Foundations 2 will also introduce to students the vocations/careers associated with the field of Kinesiology.
*This class will be offered pending staffing availability and adequate enrollment.
Physical Education 315: Foundation in Kinesiology 1
Foundations of Kinesiology is a course that introduces students to the field of Kinesiology and its overall relationship with exercise science, sports performance, and sports psychology. This UC/CSU approved College Prep Elective (“G”) course will be taught in two one-semester courses allowing maximum flexibility in scheduling. Students do not have to take Foundations of Kinesiology 1 to take Foundations of Kinesiology 2.
While each course will share common threads in training, nutrition, sports, psychology, and basic human anatomy, each course offers a slightly different approach to discovering the keys that improve performance. Both courses will involve some physical activity.
Foundations of Kinesiology 1 will concentrate on “how” the body moves by investigating human movement and understanding the benefits of kinesiology. Foundations 1 will explore the purpose of exercise and sports nutrition.
*This class will be offered pending staffing availability and adequate enrollment.
Multimedia Design 1B
This class further develops skills learned in Multimedia Design 1A with a focus on utilizing 2D and 3D graphics, sound and video-editing software such as Photoshop, Illustrator, Procreate, Logic, FL Studio, Soundtrap, Final Cut Pro, Premiere, OnShape, Blender, and game design in Roblox and Unity. The development of effective narrative structures will be emphasized so that students learn to use the various media to create intentional works with meaning. Particular attention will be paid to the design process and students’ conscious development of their own creative process. Sample projects include stop motions, animations, music videos, special effects, student documentary films, and the creation of video games. Student work will culminate with a digital portfolio.
Multimedia Design 1A
This is an introductory computer art and design course with a focus on 2D and 3D graphics, sound and video-editing software. Coursework includes a variety of design projects created with software programs such as Photoshop, Illustrator, Procreate, Logic, FL Studio, Soundtrap, Final Cut Pro, Premiere, TinkerCAD, and game design in Roblox. The learning of traditional art and design principles will be integrated into students’ creative work and the course will culminate with a digital portfolio.
English 492: Poetry and Dramatic Literature
This course offers a journey through major innovative dramatic works while asking students to create their own dramatic and poetic works related to ones studied in class. Using Aristotle’s Poetics as the basis for form and structure, selected works will be chosen from Shakespeare’s tragedies (Othello, Julius Caesar) and comedies (Much Ado About Nothing, As You Like It) along with contemporary pieces that move all the way up to Lin-Manuel Miranda’s Hamilton. Other playwrights and works studied in this course might include: Eugene O’Neill’s Long Day’s Journey into Night, Tennessee Williams’ Streetcar Named Desire, Samuel Beckett’s Waiting for Godot.
This class will be offered pending adequate enrollment.
English 430: Modern American Authors
NOTE: This course will not be offered for the 2024-2025 school year. It may be available the following year.
In this course we will do an in-depth study of modern authors, contextualizing these voices as they fit into our cultural identity. In this one semester course, we will read short stories, creative nonfiction, fiction, poetry, and song lyrics. We will examine the narrator and the self, analyzing the way American individuality has shifted American literature. We will identify and analyze literary devices and structures in popular texts, and use these as models for our own creative writing. Formal grammar and vocabulary lessons will focus on clarification of voice. In addition to standard 5 paragraph analytical essays, we will write creative nonfiction, fiction, poetry, and a multi-genre research paper.