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This is an introductory computer art and design course with a focus on 2D and 3D graphics, sound and video-editing software. Coursework includes a variety of design projects created with software programs such as Photoshop, Illustrator, Procreate, Logic, FL Studio, Soundtrap, Final Cut Pro, Premiere, TinkerCAD, and game design in Roblox. The learning of traditional art and design principles will be integrated into students’ creative work and the course will culminate with a digital portfolio.
This class further develops skills learned in Multimedia Design 1A with a focus on utilizing 2D and 3D graphics, sound and video-editing software such as Photoshop, Illustrator, Procreate, Logic, FL Studio, Soundtrap, Final Cut Pro, Premiere, OnShape, Blender, and game design in Roblox and Unity. The development of effective narrative structures will be emphasized so that students learn to use the various media to create intentional works with meaning. Particular attention will be paid to the design process and students’ conscious development of their own creative process. Sample projects include stop motions, animations, music videos, special effects, student documentary films, and the creation of video games. Student work will culminate with a digital portfolio.
Music Appreciation A is designed for non-musicians and develops the art of perceptive listening and performance in musical composition through experiential activities. Lectures and experiential learning will cover the instruments of the orchestra, composers, performance practice, musical composition techniques, major compositions of the era, baroque, classical, romantic and 20th century eras, and Broadway musicals. Students will have practice in playing instruments, creating, listening to, analyzing, and describing music. They will evolve specific criteria for making informed critical evaluation of the quality and effectiveness of performances and compositions. Students will identify, explain and perform stylistic features of a given musical work. This is an introductory level course, meeting three times per week with extensive participation in musical activities, class projects, demonstrations and live performances.
Roots of Jazz: Exploring Music in Culture is designed for non-musicians and develops the art of perceptive listening to music of Africa, Latin American, India, Bali, China, the Middle East, Asia, Japan, and Eastern Europe. Learning will be balanced between theoretical and experiential song-writing activities. Students will evolve specific criteria for listening to, describing, analyzing, understanding, and creating music as it is understood and experienced in different cultures. Students will play instruments and explore digital media. This is an intermediate level course, meeting four class hours per week with extensive lectures, experiential learning, audio-visual presentations, class projects, demonstration and attendance at live performances.
The Photography 1A class provides a comprehensive study of photography as an art form. The course will expose the student to fundamental issues unique to the medium through the study of the history of photography. The students will experience a variety of approaches to the medium of black and white photography beginning with photograms and also including pinhole photography and 35mm cameras. Students will create their own photograms, use pinhole cameras to get negatives and make positive images, learn how to process black and white film and enlarge. Portrait photography is a major aspect of the Photography 1A program and the work of portrait photographers such as Arnold Newman, Irving Penn, Richard Avedon, Annie Leibovitz, Yousuf Karsh will be presented in class. At the end of the semester, students will work on a final project on a portrait or self-portrait.
The Photography 1B class will build on skills learned in Photography 1A. In addition, students will learn basic studio lighting and more advanced darkroom techniques to obtain better results when printing in black and white. Still life is a major aspect of the program and images from the following artists will be presented: Edward Weston, Renger-Patzsch, Minor White and Aaron Siskind. At the end the semester, students will do research on the biography and style of a photographer who has made important aesthetic advances in history. The final project will consist of creating still life images with thematic unity.
A studio-based problem-solving course that uses a variety of materials: paper, wood, plaster, found objects, and wire to explore the design process in 3 dimensions. Study of historical examples of sculpture will serve as a “spring board” for inspiration directed toward solutions to design projects. The work of 20th century sculptors such as Alexander Calder, Louise Nevelson and Henry Moore will challenge the student to understand their own creativity. Field trips to local museums and some written work will complement the original work created by the student in the studio and at home.
*This class will be offered pending adequate enrollment.
3D Studies/Mixed Media Sculpture B continues the exploration of the visual world; its relationships of form and space — in the context of historical examples, environmental/cultural impact, creative self-expression and collaborative pieces. Field trips to local museums and sculpture collections and some written work will complement the original work created by the student in the studio and at home.
*This class will be offered pending adequate enrollment.
This course is a “hands-on” class designed to develop skills in design and composition, a variety of drawing styles, and acrylic painting. Students will receive instruction in a variety of media and will be required to use each of them in the creation of original work. The study of historical examples will be a springboard for the student’s creative expression. No previous drawing skills are required to take this class; just come with an open mind!
As a follow-up course to Studio Art A, the Studio Art B class will place emphasis on the concept of connection and progression in developing and expanding a visual image. A more refined sense of visual decision-making and creative initiative will be stressed and expected of the mature visual arts student. Students will use a variety of materials, techniques, and styles to explore themselves in relationship to their personal history, community, and their God. We will work in acrylic paint, water color paint, pencil, oil pastel, colored pencil, linoleum block prints, and a variety of mixed media materials. A special project involving an in depth self-study through visual images will urge the student to see her/himself in various aspects; with a connection to a specific community, a realistic self-portrait and a non-objective symbol that strikes a familiar resounding chord.
